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Discover The Wonders of Belgium

Wonders of Belgium

One of the most underrated travel destinations in Western Europe, Belgium is a small country that packs a huge punch. This country has it all, from art and culture to outdoor adventures and rugged mountains. Whether you’re traveling for business or pleasure, you’re sure to enjoy your stay in Belgium.

Here is the list of 7 Wonders of Belgium:

The Ghent Altarpiece

When open, The Ghent Altarpiece is 350 x 470 cm in size. It was commissioned in the mid-1420s and finished in 1432. It contains 18 panels featuring biblical scenes and lifelike donor portraits. While many other altarpieces were destroyed in World War I, the Ghent Altarpiece was spared. This altarpiece is an example of early oil painting.

It depicts the Annunciation, the moment when the archangel Gabriel announces to Mary that she will become the mother of Jesus. The scene is then followed by pure genre scenes. The missing panel depicts Mary, mother of Jesus. The Ghent Altarpiece uses the Deesis grouping, which originated in the eastern Orthodox Church. Van Eyck’s skill in visualizing heavenly splendor in paint is remarkable.

Belgium

The Ghent Altarpiece was intended to sit on an altar during Mass. The Holy Eucharist was the center of fifteenth-century Christian doctrine, and the Ghent Altarpiece shows the Eucharist as the centre of the Christian universe. During this celebration, the Eucharist is opened. People gather around to see this miracle. The Ghent Altarpiece is perhaps one of the most famous paintings in history.

It is a massive polyptych that is over a ton in weight and is more than two meters wide. It was painted between 1426 and 1432 for a church in Ghent, Belgium. It is considered to be a fulcrum between the Middle Ages and the Renaissance. It is also considered the origin of artistic realism.

The Treasure of Oignies in Belgium

Located in the town of Oignies in Belgium, the reliquary of Bishop Jacques de Vitry is one of the most interesting and treasured medieval relics. The reliquary has been transferred several times over the centuries, but it was only recently reopened for scientific studies. The treasures were donated to the convent by the last prior of the town, Gregoire Pierlot, in 1818.

During this period, the treasures survived the French Revolution because they were walled up in the house of a local farmer. Most of the items were made by Brother Hugo in the period between 1228 and 1238. He was a member of the priory in Oignies, a town between Namur and Charleroi. Founded in 1198 by the brothers Gilles, Robert, and Jean de Walcourt, the priory was a place of pilgrimage.

After Marie de Nivelles became a mystic and poet at the Beguine convent, the priory became a center of pilgrimage. Hugo also made reliquaries. These were usually fashioned into the shape of a saint’s head, but sometimes they were in the form of small treasure chests. He also used abstract geometric designs to decorate these reliquaries.

His most famous design was a quatrefoil, which was not common in the Middle Ages. This geometric form was not introduced in the Middle Ages until the 12th century, and it was originally from the Islamic world. It was later adopted by medieval artists and architects and became a common design element throughout the Christian world.

The description of the relics is on vellum under glass. It is written in ink and is partly red and partially black. The full texts of the relics can be found in the book Marks and Inscriptions.

The Reliquary Shrine of Our Lady in Belgium

The Reliquary Shrine of our Lady is an important site in the history of the Catholic Church. Originally built in the eighth century, it was later rebuilt in the 12th century. It houses relics of the Blessed Virgin Mary, including the True Cross and the bones of Jesus’ apostles. One of its most prized relics is a molar from St. Anthony, the only part of the saint’s body preserved outside Padua.

During the Middle Ages, people were drawn to the shrine to pray for healing. Several confraternities were founded in the area to assist the sick. The Black Scapular of the Confraternity contains a picture of Our Lady and St. Camillus. In 1254, a knight prayed to the Blessed Virgin. When she heard his prayer, an angel appeared and rescued the knight.

The Duke de Blacas built a magnificent chapel dedicated to Our Lady in memory of the miracle. Several miracles have occurred at the shrine since its construction. Moustiers is known as the village under the star, because the Duke hung a gold star with sixteen rays over the town. The relic of Our Lady is believed to have originated in the early thirteenth century.

The original church was located in Rome, where snowfall was rare. The snow fell silently one night, but news spread rapidly and dozens of people gathered to see the fall of snow. The flakes fell in a pattern that indicated the future location of the church. Many people believed that it was a sign from the Virgin Mary herself, and thus, Mary was given the title Our Lady of the Snows.

The Reliquary Shrine of Saint Ursula in Belgium

Located in the Hans Memling Museum at the Old St. John’s Hospital in Bruges, the Reliquary Shrine of Saint Ursula was commissioned by the Hospital of Saint John. The reliquary has no inscription and was displayed publicly only on her feast day, 21 November. The reliquary is made of wood and has oil on panel inserts.

The relics of Saint Ursula were originally buried at the site of her death. Later, the saint’s remains were moved to Italy. The reliquary, a wooden altar, was then donated to the cathedral. Empress Eugenie later donated the relics to the Reims cathedral. Eventually, the number of people vying to touch the relics reached 100000, although not all medieval Christians believed in relics.

The Landscape With the Fall of Icarus

The Landscape with the Fall of Icarus is a painting by Pieter Bruegel that is believed to have been painted by the Dutch master in the 1560s. The painting shows a bucolic scene whose tragedy is depicted without the viewer noticing it. Several theories have been advanced as to why the painting was painted. Some scholars believe that it is a copy of another painting by Bruegel.

Others, however, believe that it is an original. In 1935, another version of the painting was discovered in a private collection. This version also includes Icarus’ father Daedalus. It differs from the original in the position of the sun. The two versions are now on display in the Musee David et Alice van Buuren in Brussels. The painting’s composition is stunning.

Despite the fact that it is still uncredited to Brueghel, it is a masterpiece that continues to exert enduring fascination. Its colors and composition evoke Greek mythology, but the exact identity of the artist remains a mystery. Bruegel’s Landscape with the Fall of Icarus contains several anomalies.

The sun does not reach the zenith in Bruegel’s painting. Bruegel’s painting is not a faithful rendering of the Latin epic poem, but a realistic portrayal of everyday life.

The Baptismal Font of Saint Bartolomews in Belgium

The Baptismal Font of Saint Bartolomews is a magnificent example of early medieval church art, featuring a programmatic five-scene mini-comic. Its first two panels depict John the Baptist preaching and baptizing early converts. The third panel depicts Jesus with the Father and the Holy Ghost. The fourth panel depicts a baptism of a catechumen and a baptism of the Centurion Cornelius. These five scenes together are representative of the power of baptism over both the profane and the spiritual.

The Baptismal Font of Saint Bartolomews dates to 1107 and 1118 CE, and is a major masterpiece of Mosan art. Its style and design is a classic example of Mosan classicism. The Meuse River valley in Belgium, roughly corresponding to the Diocese of Liege, was an important centre for Romanesque metalwork during the 12th century. Metalwork during this period was one of the highest forms of art and was a valuable commodity for the church.

The Descent From the Cross in Belgium

The Descent from the Cross is one of the most famous works by Peter Paul Rubens. This triptych is a masterpiece of European painting and is considered by many to be one of the finest representations of Christ’s suffering and death. Its stunning, monumental composition features a man bearing a cross, as well as his disciples.

This work is part of the Cathedral of Our Lady in Antwerp. The cathedral is a spectacular structure, with a seven-aisled nave. The stonework is bright and light, but the early furnishings were largely destroyed during the religious turmoil of the sixteenth century. The cathedral contains four early works by Pieter Paul Rubens (1577-1640).

The most famous is the Descent from the Cross, a triptych that was completed after Rubens’ visit to Italy in 1612. The painting is a masterpiece of realism and a powerful symbol of hope.

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